tag:blogger.com,1999:blog-2627032459273165000.post7638373320659494770..comments2024-03-29T03:05:28.466-07:00Comments on DREAMS ARE WHAT LE CINEMA IS FOR...: KLUTE 1971Ken Andersonhttp://www.blogger.com/profile/04940648971296673233noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-2627032459273165000.post-17297568256072471442015-02-04T14:52:27.914-08:002015-02-04T14:52:27.914-08:00Hi Wille
Yes, "Klute" still holds up as ...Hi Wille<br />Yes, "Klute" still holds up as a solid thriller for me, too. And you make a good point about the "look" of the movie, both in terms of the cinematography and fashions. They are very much of their time, but rather than make the film feel dated, they seem to freeze the moment in time like some of the best old classic films of the 40s and 50s. The sleaze factor of "Klute" needs to feel like New York in the 70s, and it does.<br />And I'm with you on "A Clockwork Orange"...I've seen it twice, and while I respect it's craftmanship, I think it's a tad too inhumane for my tastes. Thanks for visiting this older post, Wille. Glad to hear this film is a favorite of yours as well!Ken Andersonhttps://www.blogger.com/profile/04940648971296673233noreply@blogger.comtag:blogger.com,1999:blog-2627032459273165000.post-3168598744082960432015-01-31T08:59:10.746-08:002015-01-31T08:59:10.746-08:00This a great thriller, still so watchable after al...This a great thriller, still so watchable after all these years. Fonda gives a mesmerising performance as a very confused woman who is vulnerable but who wants to be in control in a society that does not respect women enough. <br /><br />Thank you for your excellent essay, Ken! It was intersting to read about how badly treated Bree gets treated by the outside world when she's trying to get a respectsble job. I want to watch it again soon to catch more of the nuances in Fonda's performance and to see how her tone changes whether she talking frankly with her psychiatrist or when acting with her customers.<br /> <br />I love the cinematography in "Klute". Many years later films of the 80's like "Flashdance" seemed to have a similar approach for the visuals. I am also crazy for the rich hippie fashions worn in this film. It was fashionable for a very short time, before everyone just wore jeans and t-shirts all the time. All those midi skirts and kinky boots! Rarely was this style captured on film. The only other movie I can think of with similar clothing style is "A Clockwork Orange" (a film I find too hard to watch).<br /><br />Jane really deserved to win the Oscar award for her role as Bree. She gave one of the strongest performances I have ever seen on film. <br />- WilleAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-2627032459273165000.post-65748684595220877772013-09-04T19:43:24.314-07:002013-09-04T19:43:24.314-07:00I took another look at "Klute" this week...I took another look at "Klute" this week. So much to say about this film...<br /><br />As you've noted, Ken, it's not really a typical example of its genre. Also, it's worth noting that, despite placing much of its focus on the character of Bree Daniels and her profession, the film totally manages to avoid glamourising the career of a call girl. The film doesn't even attempt to make concessions to audience members expecting softcore erotica disguised as an art film. This might be the least sensationalised film in existence about prostitution.<br /><br />I really dig the parallels between Bree's aspirations to become an actress and the nightly act that is her work as a prostitute. Also, who could ever forget that classic line that Bree says to Klute: "Do you hayve any identi-fah-kay-shun?"<br /><br />The cattle call scene is funny in the sense that Bree Daniels looks just like Jane Fonda, but the people running the show seem to pay her little regard (I feel like yelling "Wake up, she looks JUST like that gal from 'Barbarella', hire her already!"). Yeah, I know, in the context of the film, Jane Fonda The Actress "doesn't exist", but I derive an odd sense of enjoyment/frustration from such things all the same. Same with Barbra Streisand in "Funny Girl"--"Ugly duckling? Are you kidding? She looks just like La Streisand!"<br /><br />On a similar note, the model who is passed over because she's "been used" before...talk about Madison Avenue overestimating its audience! I don't think your typical fashion magazine voyeur would really care and probably has a short memory, anyway. Look at the giant picture of the glitter covered lady on the wall, that could be pretty much anybody!<br /><br />I'd also like to know how in the world Jane Fonda managed that scene where Bree listens to the tapes. I mean, she's not just weeping, she somehow manages to make snot drip from her nose on command. The camera is trained on Miss Fonda for what seems like a good thirty seconds, and suddenly, a long stream of mucus drips from her nose. I could just imagine some overly self-conscious actresses and addle-brained directors being embarrassed by such a discharge. Are you freakin' kidding me? For me, Jane Fonda snotting all over herself MAKES that scene. I'm not at all trying to be funny here, and this film has a value far beyond any glittering accolades, but that gummy discharge is probably what ultimately won Lady Jane her first Oscar. I mean, she's really just phenomenal in that scene--even by just sitting there are doing very little, Bree Daniels looks positively terrified.<br /><br />Those conversations between Bree and her shrink are quite revealing, too! The only major question that I have is why this film was entitled "Klute"--no disrespect to Donald Sutherland and the contribution that he makes here, but shouldn't it have been called "Bree"? And I can't sign off on this one without saying how groovy Miss Fonda appeared in this film--the hairstyle, the outfit, everything! It even rivals her multitude of costume changes in "Barbarella"!Mark Vanselownoreply@blogger.comtag:blogger.com,1999:blog-2627032459273165000.post-80116187169065749162011-12-08T10:37:26.298-08:002011-12-08T10:37:26.298-08:00Hi Argyle. I'm glad you finally got around to ...Hi Argyle. I'm glad you finally got around to seeing "Klute" and I'm flattered that it was in some way influenced by my blog. Your observations are spot on. Especially about the way some films stick with you when you're young, even when you were too young to see them. I had that experience with "In Cold Blood" which I saw for the first time in 2005. The ads scared the hell out of me as a kid and I avoided it, but never forgot it. I loved the film and that inspired me to finally read the book. I too have read all of Capote's works, and "In Cold Blood" will well be worth the wait once you get around to it. Coincidentally, I saw "Panic in Needle Park" two weeks ago for the first time. I loved its gritty feel. How did I NOT see this when it came out? Pacino is amazing! <br />I like that you are able to see the pluses and minuses of s film and still process it it beyond simply "liking" it and "not liking" it. That's what I like about film...it he perfect film is rare, but there is much to be enjoyed in films that succeed in some areas and falter in others.<br />We have so many shared experiences...when I was in high school, Jane Fonda came to a local college to speak. No movie talk, just Tom Hayden promo. I got her to sign a photo of "Barbarella" afraid that she might balk (as she was in full feminist mode at the time), but she was a sweetheart and even laughed at herself in the image. Thanks again for your comments and sharing your movie memories. Your Jane Fonda story is terrific!Ken Andersonhttps://www.blogger.com/profile/04940648971296673233noreply@blogger.comtag:blogger.com,1999:blog-2627032459273165000.post-30520698882548037062011-12-08T07:21:01.572-08:002011-12-08T07:21:01.572-08:00Argyle here. Thanks again for your site. I just ...Argyle here. Thanks again for your site. I just watched "Klute" last night spurred on by your post. I've always meant to watch it. It's another of those films that came out when I was too young and sheltered to get to see, but was aware of. Crazy how films you couldn't see still made an indelible impression: the typeface, the all sequin dress, the shag haircut emphasizing her eyes. Maybe that's how "glamour" works. Anyway, "Klute" has always been on my list. It's almost a list of things I AVOID seeing, sort of saving them for some future time when I'll need something amazing to see or read. (The only other item on the list that springs to mind is to read "In Cold Blood". The movie is incredible and I've read everything else by TC but always avoid ICB, saving it in some weird way.) Anyway, I loved "Klute" and your observations about Jane Fonda are excellent. She is incredible. I did feel like the story was a little weak and I was never in the grip of suspense, but that's OK. I'm glad it wasn't overly plot bound, Bree and Klute's characters were plenty. The cinematography and locations were perfect. I did think the music was a little problematic. I also just saw the first half or so of "Panic in Needle Park" which has a similar but slightly more documentary feel for the same period and setting. Pretty incredible. The lack of music there really kept you in the story, almost wouldn't let you out of the story. "Klute" is maybe a bit more a product of the studio system; it has a bit more romance. And I don't mean any of this as a negative criticism. I have nothing but admiration for film makers of that (or any) period who were trying to push the boundaries. Fonda, Sutherland, Pakula, and Gordon Willis were. When I was in college, Jane Fonda came to lecture. This was probably 1977 and so she was also promoting "Julia" (which has lots of good things about it.) She showed the trailer for "Julia" and then said something like, "Well I'd NEVER go see THAT based on that trailer!" And then went on to give a much more nuanced and accurate description of the film. So you got the sense of someone really chafing in the (SELL IT!) Hollywood system. Thanks again for your great site. I'm sorry I tuned past "The Matchmaker" the other night; another for my list!Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2627032459273165000.post-71765824542236198562011-11-17T09:41:20.409-08:002011-11-17T09:41:20.409-08:00Hi Poseidon. Boy, they don't call cinematograp...Hi Poseidon. Boy, they don't call cinematographer Gordon Willis "The Prince of Darkness" for nothing. His trademark shadowy photography looked absolutely murky on my old VHS copy, and I hadn't watched "Klute" for years simply because I couldn't SEE it! You really should check it out again. Not only does the film hold up remarkably well, but Fonda is really something else. As for her Oscar speech, I agree. As much as I respect public figures like Fonda using their notoriety to call attention to political issues, sometimes in silence they are the most eloquent. Thanks for reading!Ken Andersonhttps://www.blogger.com/profile/04940648971296673233noreply@blogger.comtag:blogger.com,1999:blog-2627032459273165000.post-28797557571172736002011-11-17T05:04:22.779-08:002011-11-17T05:04:22.779-08:00Interesting reading! I need to see this again. I...Interesting reading! I need to see this again. I saw it on a grainy VHS about two-dozen years ago. One thing I did love was how, when Jane won the Oscar and was being heavily criticized by many people, she didn't broach the matter at all in her speech except to announce that then (Oscar night) wasn't the night to do so. I wish more stars took that route!<br /><br />(Poseidon3)Anonymousnoreply@blogger.com